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Maggie Maggie Maggie

This afternoon in the company of my friend Mark I escaped the dull, drizzly wi-fi-enabled noughties and timewarped to July 1983 through the magic of the cinema. A time when Thatcher (Mrs) ruled with her iron handbag and wonky finger, when Tony Blair had just entered parliament, and when, if memory serves, we must have been packing up to move house. We were leaving leafy, suburban, right-wing Broxbourne for Oundle, a genteel town in the Northamptonshire countryside infested with posh young toffs. (No, I didn’t go to the public school.)

The film This is England opens on the last day of the school term. (Because we were moving away from the area, I remember that day vividly. How odd.) It’s non-uniform day, and the main character of the story – 12-year-old Shaun – is picked on as he’s wearing less-than-trendy flares. His dad was killed in the Falklands. The film shows his life over the next few weeks, and to say any more would spoil it.

It’s funny, disturbing, scary and violent. Thomas Turgoose, the actor playing Shaun, is pretty amazing. The hair stylists, make-up artists and fashion designers in the production team deserve awards for their dedication above and beyond to reproducing the hideous fashions of the day. I pity the actors who suffered for their art and actually had their hair done like that. I will overlook the two shots in which (adopts nerd voice) modern satellite dishes were clearly visible (reverts to normal geek voice).

If you like your films gritty, realistic and tattooed, you’ll like this one. It’s superb. (Expats: apparently it has a limited release in the US in July.)

Avaragado’s rating: twiglets

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Once in every blog there is a post that goes like this

Yesterday Chris, Melanie, Chef, Andy, Louise and I cantered with coconut shells a-clacking to the Palace Theatre, Shaftesbury Avenue, for the matinee performance of Spamalot.

An opportune 3-for-2 offer meant that wine-drinking began almost as we left Cambridge; on arrival at King’s Cross we were on the second bottle. This tongue-loosener helped me heckle an out-of-towner standing on the left on an escalator, who was blissfully unaware that people have gone to the Tower for less.

Disgorged at Leicester Square blinking into a sunny spring day we found our pre-theatre pub, The Cambridge, and sat outside people-watching with a pint until the time came to saunter over the road for curtain up. Chris took a sneaky photo as we waited for the performance to start.

It’s a fantastic show. Very, very funny. Everyone in the audience was intimately familiar with the original film, of course, and all is present and correct, but there are still a few surprises (which I won’t spoil here). I’m glad to report the absence of anoraks with their weak lemon drinks joining in with the script, but certain lines, and the appearance of certain characters, did cause a round of applause. I found this amusing; it reminded me of the demented hollering of studio audiences when Fonzie gurned onto set, or the applause when a musical artiste starts banging out an old faithful.

No expense is spared in the production; it’s very twinkly indeed. The only slip-up I saw involved the gradual separation of a knight from his moustache. The cast is uniformly very good, and Simon Russell Beale made an excellent Arthur. Different from Graham Chapman in (a) height, (b) width and (c) sobriety.

Yes, you could buy coconut shell merchandise and tins of commemorative spam. No, we didn’t. However, Chef bought an “I’m not dead yet” t-shirt (not applicable to his car).

Avaragado’s rating: one bowl of assorted fruit

Post-Spamalot we boozed at Waxy O’Connors, a pub containing a tree for no adequately explained reason. And then we ate at Mela, an Indian restaurant near to the theatre, before training home.

See Chris’s photos of the day, if you haven’t already.

Back in Cambridge just before eleven, I all-too-predictably went to the Fleur and met up with Robert and Richard. There was a Shirley Bassey impersonator on stage; very poor, and inexplicably murdering Sinatra songs rather than the traditional Bassey staples. Once she’d finally warbled her last, the three of us set the world to rights until 1am before continuing up the road in the Rose for another couple of hours.

At closing time a bouncer (not Craig) took issue with Robert’s reluctance to drink up and his forthright tongue and, how can I put it, slapped his remaining half-pint (in plastic glass) from his hands to the floor via his trousers. Poor show. Robert declared that he’ll never go back there again, but he’s probably forgotten that.

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Ed Byrne and the Magical World of Television

I was up the Londons again last night, invited by David-from-last-weekend to see “top funster” Ed Byrne‘s live stage show at the Riverside Studios in Hammersmith. David knows one of the guys that owns the Riverside TV production company, so it was free tickets and trebles all round for us and some of David’s other mates.

We arrived at about 7pm, got a drink and chatted until the show. Unlike the proles paying for their tickets, we got to dump our coats in a dressing room. Yes, light bulbs were around the mirror, thank you for asking.

Ed Byrne was fantastic, and overran his 85-minute set by over half an hour. This may partly have been due to members of the audience buying him drinks. There’s nothing as unfunny as someone retelling someone else’s jokes and getting them wrong, so I won’t try, but he told us several stories about how TV shows like Mock the Week and 8 Out of 10 Cats keep editing his funniest bits out. Even Blankety Blank made him change an answer once.

I guess technically he was infinite value for money.

Avaragado’s rating: a handful of field mushrooms

After the show our little group had a private tour of the studios from Duncan, who got us the tickets. Here, dear reader, I may geek out. (I’ve linked below to the three rubbish cameraphone pics I took.)

The Riverside has a long and distinguished history, most of which I didn’t know until yesterday. The BBC used it for shows such as Quatermass II, Hancock’s Half Hour, Dixon of Dock Green, Top of the Pops, Doctor Who and Play School. The Chris Evans high point TFI Friday was made here, and today the studio produces Channel 4’s yoof strand T4 and Popworld.

Duncan took us into Studio 1, where earlier that very day TV’s not-drunk June Sarpong and Steve Jones were filming links from the T4 sofa. We sat on it; it’s not very comfortable. The Popworld set was standing to one side.

Studio 1 was the home of CD:UK and where the bands played on TFI Friday. Viewers will remember the stairway up from the bands to the Chris Evans bar/desk area: we took those very steps, oh yes we did. And through the door we find… not the Chris Evans bar/desk area, as it’s all changed there. The window’s still there, next to where his desk was. That bit’s now the green room. The bar area is now two rooms: a brand-new sound console with a gazillion faders (a couple still labelled “June” and “Steve”, for their radio mics) and a production gallery full of TVs and Star Trek blinkenlights. No cameras in the studio, so we couldn’t do much, but we pressed some buttons anyway. I successfully faded something in and out, without spilling any of my beer. Casually discarded on the desk was a copy of that day’s T4 script.

With that we returned to the bar, feeling blessed.

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Dear Diary

From December 1999, for a year, I wrote a journal. Not on paper, don’t be silly, but not online. I have it on disk somewhere and I haven’t read it since I wrote it. It covers what has been, so far, the most bonkers year of my life for a number of reasons; sadly the margin is too small to contain them.

Writing the journal was hugely cathartic. I sat where I’m sitting now, often into the early hours, unburdening myself, if that’s not too pretentious for you. It is far too, uh, honest to ever be published in full. I probably talk about you, by the way.

It seems such a long time ago now. It seems like yesterday. I’ll read it again one day; but not yet.

So, Notes on a Scandal. Insanely good. Funny, touching, and for me marginally uncomfortable (but I should like to point out that my journal contains no stars of any hue). Screenplay by Patrick Marber, aka Peter O’Hanrahahanrahan from The Day Today, now a proper grown-up writer with awards and stuff.

Judi Dench will be fighting Helen Mirren for the Oscar, I think.

Avaragado’s rating: two new potatoes

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Macaroons, obviously

Despite it being slap-bang in the middle of town, I’ve never been to the Jinling Noodle Bar before. Pardon me, I keep typing Noddle. I’ll try to stop. Noodle. Noodle.

According to the reviews it’s popular with Chinese students. I certainly felt very occidental (/me imagines Chris making the obvious pun) as we walked in, although there weren’t very many people there at the time.

The wine was drinkable, the spring rolls were juicy, the noodly main course was generous and unfinishable, and the bill wasn’t too bad (insert joke about Chef’s absence).

Young Mr Heckford had the Ant Climbing Up Tree. Mushy pork, I think.

Avaragado’s rating: two soups

A short dawdle along the road to the Corn Exchange, where we joined an audience we all felt privileged to be a part of, mainly because we were younger than them. For it was Acorn Antiques: The Musical.

None of the stars, obviously. The cast – including the woman from the Philadelphia advert who goes “lovely”, you know the one – gamely did their best to emulate the original performances, but there was a whiff of the uncanny valley about it all. The actress playing Julie Walters playing Mrs Overall did a very good impression, but she wasn’t Julie Walters so it just wasn’t as funny. Better than Mike “Look, it’s Frank Spencer! Ooh Betty” Yarwood, but lacking the essential Julie-Waltersness of Mrs O; the joie de vim.

We had seats not more than three or four rows from the front. A hindrance, as it happens: the band were close by, and their tootling tended to overwhelm the cast. I’m sure we missed loads of gags in the lyrics.

I’d like to see the show with the original cast. I bet it’s much funnier.

Oh, there was a real-life cock-up at the start. A curtain failed to fully retract, which we all thought was part of the act, but it wasn’t; the main curtain swished across to an apologetic announcement. Cue a few minutes of Morecambe and Wise-style bustling behind the main curtain (I imagined grizzled old stage hands played by John Junkin lookalikes in long brown jackets and flat caps) before the show continued.

Avaragado’s rating: macaroons, obviously

Chris and Melanie then gave me a lift to the Fleur, wherein I dallied for a while with Andrew and Stuart. And then Robert turned up with Richard, and shortly afterwards the pub decamped to the Rose and Crown, where Artie mumbled drunken incoherent things at me, apparently lost the world’s orangest man’s jacket and wallet, tipped a small amount of drink over my head for no discernible reason, stumbled his way to the dance floor and was very soon escorted from the building. He’s from Poland.

Bed at, uh, just after 4am. Early night.

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Nando’s Labyrinth

On Thursday night, after my gassy fun, I headed into town to meet up with the usual suspects for food and a film.

For some reason we ended up in Nando’s on Regent Street. I don’t know why but I felt about ten years too old for the place. It reminded me of a 1970s trip to a Wimpy bar in Waltham Cross when my grandma asked for a knife and fork. And when tomato ketchup came in tomato-shaped squeezy bottles. Mind you, Nando’s had proper Heinz bottles.

Anyway, the food was OK and the view was acceptable.

Avaragado’s rating: a chickpea

To the film! Pan’s Labyrinth. At first glance, a screenplay that must surely have been the result of a photocopying catastrophe: A gritty thriller about Spanish fascists in 1944 accidentally collated with an effects-filled fantasy about a young girl and some fairies, now with automatic stapling!

But no. Writer/director Guillermo del Toro weaves the two story strands together pretty well – and he doesn’t hold back on gruesome camera shots either. It always amuses me to hear audiences when they see a needle penetrating skin in glorious digital widescreen colour. It’s rated 15 in the UK, R in the US, so, you know, think on. Strangely from the trailer I imagined a more fantasy-oriented child-friendly film with the fascists only in the background, but maybe that was just me.

It’s in Spanish with subtitles, but then I always think that makes the acting better.

Avaragado’s rating: two grapes

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Casino Roy

Let’s get the bad stuff out of the way first: I don’t like the theme tune. It is much better than the awful Madonna theme from Dire Another Day (do you see what I did there?), but fails to pass the Bondness threshold.

That’s a shame, because everything else about Casino Royale is pretty much spot on. There’s no campery, over-reliance on gadgets, mwa-ha-ha-take-over-the-world-with-my-big-laser plots or scenery chewing, unlike in yer Brosnans or yer Moores. It’s very much as advertised: back-to-basics, raw, gritty, violent. A bit like yer Daltons or yer Connerys, but with fewer wigs and not, you know, in the 1980s. And just generally better.

I was never one of those nay-sayers who scoffed at the casting of Daniel Craig as Bond, none of whom could come up with reasons better than “he’s a bit ginger”. They forgot that Bond is supposed to be English, and yet has been played by a Scot (Connery), an Australian (Lazenby), a “Welsh-born Englishman” (Dalton) and an Irishman (Brosnan). And that Felix Leiter, that old fraud, has been played by about a million different actors, both white and black. And ditto Blofeld, etc.

I’ve decided that most Bond films take place in their own universe, independent of all other Bond films. This works, apart from some disparities (such as the multiple appearances of Jaws and J.W. Pepper and others, a few references to Bond’s dead wife, and more), and it’s the only way to avoid cranial implosion regarding continuity. This film blows away any attempts to do so anyway, since it shows the start of Bond’s 00 career and yet has Judi M rather than harrumphing old Bernard M, and is of course set in the present.

Oh, enough Bond geekery. Wikipedia has it all, you know.

Avaragado’s rating: salty water

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The pledge, the turn, the prestige, the wait

The Prestige stars Christian Bale as The Great Soprendo and Hugh Jackman as Paul Daniels. Scarlett Johansson plays the lovely Debbie McGee, Michael Caine is Ali Bongo, Gollum plays Andy Serkis and David Bowie is Nikola Tesla.

One of those is true.

The “prestige” refers to the third part of a magic trick, the reveal. The first two parts are the pledge (the set-up) and the turn (the doing of the trick). Roughly. The “wait” in the subject above refers to the restaurant we went to after the film. Anyway.

It’s a film about magic, if you hadn’t guessed. My brother used to do magic; his favourite trick involved a set of invisible playing cards, but he lost them. Fact!

The film’s plot concerns a rivalry between The Great Soprendo and Paul Daniels, two up-and-coming magicians who disrupt each other’s shows, try to steal tricks, cause death and destruction, that sort of thing. They haven’t yet realised that all anyone apparently wants to see on a Saturday night is one of the many Simon Cowell clones telling hapless amateurs/celebrities to get out of his manor before he releases the hounds, or whatever it is that happens on X-Factor these days.

Points to note:

  • Some concentration is required, since the film darts back and forth between three different time periods without any wibbly-wobbly transitions, black-and-whiteness or captions.
  • Some of the lady acting is rubbish.
  • This is Michael Caine’s 4,905th consecutive film in which he plays a supporting role while retaining his own accent.
  • I can do a better “drunk posh toff” accent than Hugh Jackman. This is not, please note, because I am a posh toff.
  • Despite this being a Hollywood film primarily set in turn-of-the-twentieth-century England, Dick Van Dyke makes no appearance.
  • Please won’t someone think of the little birdies!

I enjoyed this film a lot, especially since I figured out what was going on half-way through. Like Memento, one of director Christopher Nolan’s previous films, a second viewing would no doubt bring several more a-ha! moments.

Avaragado’s rating: two mangoes

This week’s post-film food hunt took us to the Rice Boat on Newnham Road. Indian Kerala food.

Reviews had warned us that the food was good, the service not so good. And so it proved. Two bottles of wine stood unopened and undrunk on our table for nearly ten minutes due to an absence of wine glasses. The culprit seemed to be the dish-washer, since when glasses finally arrived they were hot to the touch. Call me old-fashioned, but a simple solution to this problem would be to buy more wine glasses. It’s a popular restaurant, after all.

They were slow in other respects too, and forgot a starter. It was a three-hour meal that really didn’t need to be that long. Food was good though.

Avaragado’s rating: tomato ketchup (possibly Heinz)

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Pass it on

Jumping straight into my top five films of the year, The History Boys.

Now I don’t remember school being quite like that in the 80s, but then I went to a comprehensive.

Hang on. I’ve just remembered one particular teacher. But apart from him (and that was just gossip), it wasn’t like that.

We did have a day trip to Cambridge, but not for formal interviews – just a snooping session, friendly chats, that sort of thing, to see whether we were interested in applying. Our head-of-year drove the three of us to Cambridge in her mini; the only details I remember from that journey are, bizarrely, joining the A1 (from a country lane, slip roads were for wimps) and listening to Bohemian Rhapsody at full volume. It was the first and only time she ever seemed human (the rest of the time she just clomped around school in her very sensible shoes being grumpy).

I went to see Downing and Magdalene. The tutor we saw at Downing told us he knew one of the students from our school at the college, “Judith Mel-hyoo-ish, yes, I know her well.” Not well enough to know how to pronounce her surname, though. I remember we had lunch there with some undergrads, but not much else.

At Magdalene I chatted to a tutor in his little office in the ramshackle tudor buildings behind Magdalene Street. I decided I preferred Downing; one reason, I remember, was that Magdalene was then still males only. Insert your own jokes here.

Our teacher took us for a cup of tea at the University Arms before we went home.

And then, of course, I went to Kent. But that’s another story.

Anyway, the film’s great. If there’s any chance of your seeing it, do. That would please Hector. “Your seeing it.” It’s a gerund. He likes gerunds.

Avaragado’s rating: rubber chicken and rice, I think

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Edwinns and Darth Vader

Garfunkels begat the Filling Station, and yea, verily, it was rubbish. Not that I ever went there – simply looking through the window filled me with horror. Seating areas dressed as car seats, hyperventilating oversugared tykes bouncing off each other, Sky Sports shrieking at sweaty combovers. When I saw the builders moving in once more I stood in the street, laughing maniacally. “GO ON,” I screamed, “CLEAR THEM OUT! GOOD RIDDANCE! GERTCHA! HAHAHA!!”

This I now concede, officer, may have been a slight overreaction.

Those times are thankfully past, and my ASBO is all but expired. The Filling Station has become Edwinns Restaurant and Bar, a much classier joint. No riff-raff here, oh no. Not until we turned up on Saturday night.

Me, Chef, Louise, Lynda, Bov, Chrissie, Chris. (Melanie was hobnobbing with celebs at the ballet, Andy was being orchestral.) A nice round table, with no immediate neighbours to tut at Chef as his volume touched 11.

The service was fine but on the slow side, eased by the wine. Lots of time to chat, anyway, some of which I couldn’t possibly repeat on a school night. We made our waiter laugh, which is always a good sign I feel.

For the record, I had the cottage pie, labelled on the menu as being vegan and gluten-free, which is unusually informative. And I can heartily recommend its lentil goodness, with green beans and dauphinoise potatoes.

Chef managed to accidentally pay for the entire meal on his card, due to a waiter typo and his own drunkenness. He pocketed the cash, like a true city boy. In a shiny shirt.

Avaragado’s rating: buffalo mozzarella

Bov and Chrissie scarpered home as the rest of us retired to the Pickerel for another drink. Chris, I suspect, has only a vague memory of leaving Andy a rambling voicemail. The remaining ladies didn’t last long, leaving Chef, Chris and myself to talk nonsense until outchucking at, I guess, some time after midnight. Since Chef was staying Chez Avaragado (Hotel Heckford unavailable) Chris accompanied us both back to my place for another bottle of wine.

Well, Chris had a sip and nodded off, waking only to deny being asleep. Chef burbled on in his usual way. In a peculiar mixture of 21st century zeitgeistery with a nostalgia for things that happened before we were born, we watched sketches from Not Only But Also on YouTube. “Are you enjoying that sandwich?”

We also watched a work of genius: Vader Sessions. It’s even funny when sober.

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