Supermeh

Things I liked about Superman Returns:

  • The reuse of the original John Williams theme and style of opening titles. (Geek.)
  • Marlon Brando, still acting despite being dead for several years.
  • Brandon Routh. (Did you expect me to say anything else?)
  • Kevin Spacey.
  • The image of Superman with car aloft, taken directly from the cover of Action Comics #1 of June 1938 (though on the cover he was smashing it, not placing it gently down as in the film). (Geek.)

Things I disliked:

  • The pacing. Oh, it’s so slow.
  • The cute kid.
  • Kate Bosworth as Lois Lane. (I’m not worried about her bouncing around an airplane cabin without sustaining a single bruise, because, well, Superman can fly.)
  • Richard Branson as a shuttle crew member (you could also spot “Virgin Galactic” in the background of one scene). All credit to him, he’s a PR genius. But, gah.

On balance, it was OK, but no more than that. Bryan Singer did a better job on X-Men.

Avaragado’s rating: fourteen pretzels

Post film, post pint, we ate at Fitzbillies. For some, the first ever visit. It could be the last too: small menu, very small portions. My creme brulee was no more than two inches in diameter, probably less. But not cheap, oh no.

Disappointing. We undertipped, despite a 12.5% tip being added to the bill as we were a party of five (since when was that a large party?).

Avaragado’s rating: a stack of seven mini pizzas on a big plate drizzled with “jus”

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Steve’s stag weekend

Last Friday I flew to Las Vegas for Steve’s stag weekend/bachelor party/delete as appropriate, returning yesterday.

It was hot in Cambridge the week before – mid-90s F, or low 30s C – so I was partly acclimatised to the heat, though stepping out of an air conditioned airport terminal into a temperature of 100+ is something else. “Wall of heat” is a good phrase. I found myself making Shuttleworthesque “oof” noises.

I stayed at the New York-New York Hotel and Casino on the strip: opposite the MGM Grand, and between the Excalibur and the Monte Carlo. Almost all stag-goers were staying there too. It’s the collection of pointy bits in the middle of the panorama above.

Friday night we ate at a Thai restaurant; eventually. The concierge at the hotel sent us to what he claimed was Thai, but was in fact a golf club restaurant not serving riff-raff like us. I think when we said “thai” the concierge heard “tie” and thought we wanted to dress up.

I bailed out at around midnight, 27 hours awake being quite sufficient thanks. The others partied on; Rob Ross got no sleep at all that night.

Saturday lunchtime took us to The Gun Shop, where boys played with noisy toys for half an hour or so. In the afternoon we wandered along the strip, stopping at Paris for drinks.

The main event was Saturday night. First a curry at the Gandhi, then into our stretch Hummer for the evening. Sadly its aircon was bust, words you don’t want to hear in this town at any time of the day or night (it never dropped below 95F).

The deal Curtis organised included VIP entry to Studio 54 at the MGM Grand, with a table and three bottles of booze. We got through that relatively quickly, choosing not to buy more at the slightly inflated prices they were charging ($15 bottles of Absolut vodka marked up to $250).

On Sunday, from the it-seemed-like-a-good-idea-at-the-time department came the idea of a round of golf. In a desert. In July. In a heatwave. At noon. (I don’t play but went along too.)

Not everyone lasted the course; it was just too exhausting. The only shade was from the hats we wore and our golf carts, and the odd tree. We could have done with a day’s survival training beforehand. Luckily there were water stops every three holes, and someone gave us cold towels after the ninth, soon repurposed as Lawrence of Arabia headgear, dunked regularly in our golf cart iceboxes. I’ve never drunk so much water in my life; it was absorbed as fast as it went down the gullet.

Mad dogs, Englishmen and Scots.

By Monday at breakfast only Steve, his brother Craig and I were still at the hotel. We wandered along the strip again, stopped for refreshments at Planet Hollywood in Caesar’s Palace (I refuse to omit the apostrophe, whatever the hotel does), then returned to the hotel to grab a cab to the airport.

A few hours later I was settling in on the plane when a dark-suited American man came up to me. “May I see your ticket stub, sir?” he asked, but not in a “you’re in my seat” way: he was an official of some kind. I assumed he meant my boarding ticket and reached to my back pocket; he stiffened slightly as I did so, or was it my imagination? Anyway, I retrieved it and handed it over. “Oh, sorry sir, you’re seat 35C. I was looking for 34C. Sorry to bother you.” He went back a row, to find the seat was empty. Some problem with the processing of boarding cards, I think. I had visions of being hauled off the plane for possession of subversive thoughts.

Bonus: two empty spaces next to me, so I could lie flat, albeit slightly foetal, and sleep/doze a bit on the flight.

Back at Gatwick, it was about 85F. I felt cool.

Photos

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Old Bearded Man, by Avaragado

INT. HEFFERS BOOKSHOP. DAY. BY THE TILL.

An OLD BEARDED MAN (OBM) totters towards a SALES ASSISTANT (SA), who’s standing behind the till. OBM is wearing denim jeans, a tweed jacket, shirt and tie, and a cloth cap. He’s over 80. His beard is silver.

OBM: Jawaarrbaddaoophhhddaclllweoooo?

SA: I don’t know, I’m sorry.

OBM: JAWAARRBADDAOOPHHHDDACLLLWEOOOO?

SA: Sorry, I don’t know. Try Glyn, over there. (Points to information desk)

OBM: Wpadddoogggborrrssa.

OBM wanders towards the information desk, muttering to himself.

GLYN: Can I help?

OBM: Jawaarrbaddaoophhhddaclllweoooo?

OBM: Sorry?

Back at the till.

AVARAGADO (to SA): Don’t worry, he’s harmless.

SA: Yes, we’re used to him. He comes in every Thursday and Saturday.

AVARAGADO: Really?

OBM (in the distance): JAWAARRBADDAOOPHHHDDACLLLWEOOOO?

SA: Yes. For the last thirty years, apparently. He’s always talking about the war or something. Always the same thing.

AVARAGADO: Oh.

SA: Yes. He sometimes asks for a job.

AVARAGADO (thoughtfully): I see.

FADE TO BLACK.

I see the OBM every now and then; he’s almost always having a sit down in the barbers, jabbering away unintelligibly. He’s tolerated by the scissor twiddlers, who sometimes buy him a coke or a packet of crisps. Looks like he tours the city.

I have a strange feeling that I’ve just had a vision of the future…

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Avaragado’s film festival

I’ve seen two films at the Cambridge Film Festival this week, and one with the proles at the Vue. My thought-provoking and in-depth reviews follow.

It’s Nice Up North

In this ultra low-budget docucomedy, John Shuttleworth attempts to prove that northerners are nicer than southerners by talking to random people in Shetland (not the Shetlands!). He keeps heading further north until there’s nowhere to go, accompanied in part by a tourist guide who tells stories continuously whether or not anyone’s listening or even present.

Diverting. Reasonably funny if you like John Shuttleworth, and I do.

The screening was followed by a live Q&A with John Shuttleworth’s alter ego Graham Fellows and his cameraman, renowned odd photographer Martin Parr. John Shuttleworth is essentially Fellows with make-up, costume and facial expression; not much acting required.

Avaragado’s rating: tomato soup

Pirates of the Caribbean: Dead Man’s Chest

Too long by half an hour. Not as original (obviously) or as funny as the first film, but several humorous set-pieces.

Bill Nighy and his not-quite-right accent naturally steal every scene they’re in. Johnny Depp, well, camps it up magnificently again. Mackenzie Crook reprises his role and does very well; there’s a great scene where he debates the correct pronunciation of “Kraken” with crewmates.

There’s a weak ending. Without giving anything away, there’s no true resolution but only a set-up for the third film, made back-to-back with this one. Back to the Future did a better job.

Avaragado’s rating: coconut milk

A Scanner Darkly

Rotoscoped Keanu and friends in drug-based thriller action. The UK premiere, surprisingly.

The rotoscoping is very well done, if (deliberately, I’m sure) eye-bending in places. The stand-out performance is by Robert Downey Jr., but I always enjoy Woody Harrelson in roles like this (a kind of druggy version of Woody from Cheers). Keanu plays Keanu as only Keanu can, which at least means less of that tricky acting business.

Post-film it was suggested that had this not been rotoscoped and therefore Interesting, it would have been generic-by-numbers and therefore Tedious. There’s something to that, but there’s also the Philip K. Dick background to consider. Wikipedia’s summary of the story suggests film-faithfully-following-original-story shocker, which is, I submit, a good and healthy thing.

Avaragado’s rating: blue smarties

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And the room gently sways

Just back from a long weekend on a canal boat near Worcester with Lynda, Louise, Chris, Melanie, Andy and Mikey.

Two and a bit days, 2mph, about two dozen locks. Several bottles of wine and beer. Not too much bouncing between banks, no sinkings, no swimmers.

On Friday afternoon we swarmed by car from the four corners to Dunhampstead and boarded our boat. The little man told us the do’s and don’ts, we bagsied beds, and set off in the direction of Worcester (if you go too far the other way, towards Birmingham, you have to negotiate 36 consecutive locks, which would be a bit tedious; you can’t abort half-way).

One hour of river successfully negotiated we moored outside a pub for a drink, some food and the night – it was the last pub until Worcester, about four hours away (probably twenty minutes by taxi). As it was our first mooring we were busy making a small meal of it when an “old hand” from the boat alongside came to “help” and the meal turned into a feast: the front end in position, the back end investigating the vegetation on the opposite bank. Ah well, we got there in the end.

After breakfast next morning we sped on to Worcester, deftly negotiating the locks in our way without sending any tidal waves down the canal. An old lady muttered something about how “they don’t teach people how to do locks properly these days”, which may or may not have been directed at us, but was undeserved if it was. We kept going until we ran out of canal (it joins up with the Severn), turned round, found a fresh water tap, filled up, moored, and went for some lunch. It was about 3:30.

We wandered around Worcester, not finding that much of interest. Generic shops, ooh look another branch of Waterstones. We didn’t do the cathedral.

Back to the boat, then out again a few hours later for dinner. Most of the interesting places were fully booked so we slummed it at Cafe Rouge. At this time I noted that the room still swayed even when you weren’t on the boat. As is semi-traditional, they got Andy’s order wrong. Not sure how an order for beef bourguignon could turn into chicken something-or-other, but there you go.

Sunday morning saw us searching for breakfast before 9am. Ooh look, closed generic shops. Caffe Nero seemed to be the only option. We mostly avoided the eye of a man who wanted to tell his life story to anyone who would listen; another sucker wasn’t so lucky. A panini, then back onboard.

The ladies left us in charge while they did ladies’ things in town: I imagine these included window shopping and chocolate. We menfolk hit the wine, and decided to snack rather than join the ladies for lunch. Upon their return we cast off and headed out of Worcester. Our aim: to be in the pub by the boat yard for 7pm and the World Cup final.

Louise watched the men’s final at Wimbledon on a scratchy patchy screen as we hefted lock keys and swigged beers. Mikey did most of the driving, though Chris enjoyed piloting the boat into locks at a thirty degree angle on more than one occasion. I exaggerate, but only slightly.

We reached the pub twenty minutes after kick-off and ate a pleasant meal with the locals while France and Italy slugged it out. What on earth was Zidane thinking?

Then to boat, to bed. Up in plenty of time on Monday morning to return our vessel by 9am. And then disperse home…

My photos.
Lynda’s photos. Expect some from Chris and Melanie and Andy soon.

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I hate Windows, part 94

It’s mid-afternoon, and I’m merrily typing away in XP when it suddenly turns into treacle, and then a huge, blue, fierce BSOD bars my way. I haven’t seen one of those in a long time. I don’t really register the alleged reason – I’m thinking about what I was doing, and feeling happy that I was in VNC and consequently nothing’s lost – before XP reboots.

And then it gets unhappier, muttering about “disk boot failure” and instructing me to insert a system disk.

Oh dear.

Um. I’m sure I had a boot disk somewhere, is that what I want? On a floppy? I can’t find it anyway. If I could find it I’m not entirely sure what incantation I would need to invoke. I’m not a Windows weenie.

Luckily, and unlike normal people who at this point would be up the proverbial without the proverbial, I’ve got a network and a Mac and I can google for information.

Meanwhile I try some percussive maintenance: give it a well-deserved thump and reboot. Ooh, it does something different; it doesn’t boot, but I get some other differently useless message. And again, something different still. A temperature/fan thing? A cable thing? I hate intermittent failures. I hate Windows.

Recovery Console. That seems to be a common thread on the net. Simply find your original XP CD… aha! Avaragado Packrat to the rescue.

Meanwhile, the PC magically boots! All the way into Windows, back to normality! For a couple of minutes anyway, and then it BSODs again. Hmm. What have I changed on the PC recently? I installed Google’s Browser Sync extension for a testdrive, and installed all the very latest Windows updates. Ah. How very suspicious.

Anyway, problem not yet solved. Boot the XP CD, choose to Recover, choose a Windows installation to log in to, type the Administrator’s password. The whatnow? I try the usual suspects. Three strikes and you reboot. I keep trying until I run out of ideas, yea even unto old Tarantella administrator passwords. I webscover that XP helpfully hides the Administrator account unless you boot into Safe Mode. The PC plays nicely and lets me do that. As expected (and already tried in the Recovery Console), there’s no passsword. I set one, reboot into Recovery Console, and it promptly rejects it.

This makes no sense whatsoever. I soon discover a site that tells me that, yes, this can happen, mad isn’t it, and points to a Microsoft download to fix the problem. A download that no longer exists: great.

I find a KB article describing the problem, in which Microsoft confesses its sins. The grandly named resolutions: create some new, bugfixed Setup disks, assuming you still live enough in the stone age to have six usable floppy disks (and a working PC that can write to them, which for me is somewhat in doubt); or install the Recovery Console on your hard disk (blah working computer blah) and then install this magic hotfix, that you have to ring up Microsoft and beg permission to download.

Yeah, like that’s gonna happen.

And that’s where I am now. The intermittent nature of the problem worries me. I might try rolling back the Windows updates tomorrow, assuming I can get it to boot, but I don’t think that will solve it. My money’s on a dodgy disk right now.

Unless the lazyweb has any better ideas…

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This blog entry was brought to you by the letter Q

Another Saturday, another West End musical in oppressive heat. This time I and my culturally sophistimacated chums went to see Avenue Q, the Tony award-winning Broadway show still technically in preview here but very polished nonetheless.

I won’t spoil it for you (Wikipedia will if you’re keen), but in brief, it’s muppets for grown-ups. Not true muppets, as those are in the loving embrace of the Muppets Holding Company, but extremely close relatives thereof.

In case you’re fretting over the mechanics of the production: the muppet operators are visible, and use the stage exactly as unmuppeted actors do. Each operator owns a couple of characters, performing all their actions and voices (there’s no attempt at ventriloquism). When two characters owned by the same operator are on stage simultaneously, another operator does the actions but the owner does the voices. It’s very well done, and you quickly focus on the characters and not the operators.

There are some human characters as supporting cast. The stand-out human is gloriously named Christmas Eve, a stereotypical OrientalAsian-American, played by the only cast member to transfer from the Broadway production.

Oh, it’s just great. Avaragado commands you to see it immediately.

Avaragado’s rating: eight fruit pastilles

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Early Camber

IMG_2468My annual trip to Camber Sands is usually on the August Bank Holiday. For various reasons, this year it’s been brought forward to the middle of June – last weekend, in fact. As I was in Covent Garden on Saturday, I went down to Camber on Sunday morning instead.

So did most of the south of England, apparently, due to the good weather. There was a three-mile queue into Camber: this long, in fact, all heading for a car park with no spaces.

I turned round, went up to the Brenzett roundabout, and took the Lydd route (which, smacks head, I should have taken in the first place). Longer, but no traffic at all and much quicker than waiting. The nice lady at the full-to-bursting car park tried to banish me henceforth, but I knew the secret handshake that let me in.

Highlights of my stay include:

  • Reverting to my usual suckiness at boules, having attained the glorious heights of third place last year.
  • Playing original Galaxians and Asteroids in the arcade’s retro corner.
  • Taking a ridiculous number of photos, some of which have turned out pretty well I think.

Some of the photos will seem odd unless you understand what you’re looking at. Compare with visits from previous years…

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England v Chicago

I love coincidences. Like booking months in advance to see a 3pm performance of Chicago in the West End only for England’s first match at the World Cup finals to be scheduled to start at 2pm on the same day. Yes, coincidences, I love ’em.

Lynda, Louise, Andy and I trained from Cambridge, Chef trained from High Wycombe, and we met outside Covent Garden tube just after 1pm. It felt more like Rome than London due to the heat, but a Rome invaded by England supporters. After an air-conditioned toasted panini we found a pub yards from the Cambridge Theatre so we could watch the first half. I’d predicted 1-1, but the early England goal was a worrying development: early goal for leads to cockiness leads to two goals against. I think it was Yoda who said that.

With ten minutes before curtain up the half-time whistle went and we dashed out to take our seats. Louise’s dad was primed to text her any footie developments.

We had an excellent view from the back of the stalls. But the heat was stifling, and Lynda – suffering from an early morning late night – had trouble staying awake during the first act, despite the talent on display. Andy failed to heckle Bonnie Langford, playing Roxie Hart, for her crimes against humanity in Doctor Who. A fat man last seen as one of the cast of the sitnocom Bread played Roxie’s husband Amos. Some pseudo-Sacha Distel garlicked up the role of Billy Flynn. Someone ejected from X-Factor by the great British public played Mama. There were lots of jazz hands.

At half-time in the show, Louise confirmed the full-time score in the football. Shame there hadn’t been more England goals – we’d speculated that we’d be able to hear cheers from outside, or someone in the theatre audience would find out and gesticulate wildly, or maybe even the cast would insert the news somehow – newspaper headlines feature more than once in the show. Still, 1-0 will do.

I was familiar with the musical numbers, the film having played in my presence (I wasn’t paying much attention to it) and having watched the excellent Channel 4 show Musicality (the winners played the major roles in Chicago in the West End, for one night only, and very good they were too). I think there must have been an American sitting not too far away, as someone kept yelling “Yeah!” after each number as us Brits applauded politely.

It was a polished performance: no slip-ups and technically very good (I am, of course, an expert in these matters). Since I find it hard to remember lyrics at all, I’m full of admiration for those who can sing “Oh yes, oh yes, oh yes they both/Oh yes, they both/Oh yes, they both reached for/The gun, the gun, the gun, the gun/Oh yes, they both reached for the gun/for the gun” while dancing, in time with everyone else.

Avaragado’s rating: peppered ragout

We stayed in Covent Garden for a pint at the Nag’s Head, met up with Sarah and Ades who were up from Bath for the day, and went for another pint at The Cove, nicely tucked away above a pasty shop with a view of the alleged entertainment badgering tourists below. Then to Fire and Stone, a posh pizza restaurant. None of yer Margheritas here: you get pizzas named after cities, such as the (may as well follow the theme) Chicago or Byron Bay. Occasionally non-intuitive ingredients, but very tasty.

Avaragado’s rating: bombay mix

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Adventure

I first played what were then called adventure games in 1981, on a TRS-80. (/me performs subtraction and weeps.) I’m sure I played the original Adventure, as I knew all about magical words like plugh and xyzzy, and how to deal with snakes using caged birds. It’s all come in extremely handy in my adult life.

My brother and I also played Mystery Fun House and Pyramid of Doom, both by Scott Adams (not the Dilbert one). You won’t be surprised to learn that I’ve still got the original cassettes somewhere. (Hmm. I’ve just googled and found a “memorial” site for Adventure International, Scott Adams’s company. Oh dear, I think I might have to spend some time there. Later.)

In 1982, I got (a) spots and (b) a Spectrum, quite possibly in that order. By the end of that year/early 1983 a friend and I decided to write our own adventure game for that machine, sell it, make pots of cash, and retire at 16. It was all the rage in those days. Naturally enough, since we were still at school, we decided to set the game in a school. More specifically, our school. We called the game The School.

The Hobbit was already in shops and our game was never going to be as good as that, but it could certainly be better than some of the other rubbish available at the time. (I have a vague recollection that Artic’s series “Adventure A” to “Adventure D”, as well as having the worst names of all time, were pretty bad.)

My friend created the map based on our school’s geography, and added puzzles and characters. We scandalously included some of our teachers, with their real names. All we had to do was write it.

So I did, in between homework, the usual distractions, and moving sixty miles up the A1 to a different school entirely to make new friends (hi, Scotty!).

I dread to think how bad that code must have been. No, that’s unfair. It was written in Basic and undoubtedly spaghetti, but I learned a huge amount – simple tricks like speed and memory optimisations making use of bizarre Spectrumisms, more complex refactorings, and moving some of the heavy lifting to assembler.

It was, finally, done. There were some graphics. There was a decent parser. There were puzzles. You could win the game.

I wrapped it all up into a nice package for a games company to review: instructions (proto-tech author, you see) with a full solution, including map. It was ISTR a complete 48K memory dump to cassette, for which I wrote a saver/loader in assembler. It used almost all of those bytes, too. Not enough to show a picture of Wayne Rooney’s metatarsal these days.

I sent it off to a few publishers – Melbourne House, who published The Hobbit, was top of the list. Naturally everyone turned it down.

Simply put, expectations had moved on – The Hobbit had raised the bar too much for poor old me. And the game was just too hard for anyone except me and my friend to play. (I mean, does nobody know what a hammer cage is? Apparently not!)

I stopped writing adventure games, shortly before the rest of the world did. Instead I helped my Maths teacher earn money from kiddie pirates instead. (I wrote Microdrive 1, entirely in assembler, and hacked a gazillion games for him so he could sell photocopied sheets explaining how to copy them onto Microdrive.) The other teachers envied his flash car. I was once accused (by another pupil) of being his son, after he gave me a lift into school one morning. He paid me a pittance. More like slave labour really.

Oh, this seems to have turned into a poorly researched chapter of my autobiography. That seems a little premature. Why did I start this nonsense?

Oh yes. Adventure games. Except today they go by the fancier moniker “interactive fiction”. And to write them, you just download Inform 7 and start scribbling characters, locations, objects and plot at it. Literally: you type things like “The hammer cage is east of the sports field” and it creates two spatially related locations for you.

It’s a brilliant idea: things pop into existence when you mention them. And it’s a user interface that fits. You’re still writing a program, of course, but the high-level language you’re using sure ain’t Basic.

On the one hand, bah, kids today etc. But I say this while surreptitiously downloading it and wondering where my design for The School might be…

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